Thursday, 7 April 2011
Andrew Goodwin's ideas
1. Music videos demonstrate genre characteristics
(e.g. stage performance in metal video, dance routine for boy/girl band).
2. There is a relationship between lyrics and visuals
(illustrative, amplifying, and contradicting).
3. There is a relationship between music and visuals
(illustrative, amplifying, and contradicting).
4. The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style).
5. There is frequently reference to notion of looking (screens within screens, telescopes, etc) and particularly voyeuristic treatment of the female body.
6. There is often inter-textual reference (to films, TV programmes, other music videos etc).
Analyzing Andrew Goodwin's ideas
Chase & Status – Let You Go.
In previous songs Chase & Status have been almost total Drum n Bass and Dubstep, but in there new single “Let You Go” they have started now using more lyrics. Still relating to the Dubstep genre.
The music video itself relates to one man, in this case a man called Patrick Chase. Who is a television chat show host, similar to Jeremy Kyle. Patrick Chase is praised by his audience, mainly for his insults aimed at his guests on the show. His most infamous catchphrase is “If you can’t be good, be honest”. The video switched to Patrick Chase on his night out where he reveals and we witness his hypocritical behaviour: He has sex with a woman while her two young children are watching TV in the next room; gets incredibly drunk and purchases drug, which he then smokes the high grade marijuana, also picks up a prostitute and has sex while watching his television show. We then witness a fast montage of his double life, doubling back and forth between his TV show and his hypocritical social life ending with an under the influence car crash. The video comes to a closing end with Patrick Chase back in a make up chair the next day ready to start his next show with his cheering fans surrounding him.
We can now take into account Andrew Goodwin’s ideas theory. Starting with the genre characteristics, in fact it is quite hard to determine what genre Chase & Status’s song would be until about twenty or thirty seconds in. After hearing Chase & Status’s lead singer sings the opening verse, which is only over the top of a build up synth melody. Once you start to hear a build up of the music which greatly builds up tempo then releases into a strong bass and riff chorus, it is then you when you realise that this particular song was made for the subwoofer of a car or a club. And once you recognise this you immediately can tell that it is Drum n Bass and Dubstep related.
There is a strong relationship between the lyrics and visuals with this particular song. From start to finish you can just see the relations. The opening verse relates to the entire video, the verse sung goes “You say, We can't go on this way, Things have got to change,
When your gone, And each day, A choice gets made, You think it's yours to make, But your wrong.” When first hearing this and then relating this back to the video, you begin to understand that just that one verse is the entire video outcome. It becomes the stories narrative almost. There are so many indications of relations, but them most obvious one would be the fact that the opening verse relates to Patrick Chase’s life after his chat show.
The Video as we have seen is quite fast paced in that particular montage of Patrick Chase’s life outside of work. The rest of the video has a good time space where we get an actual in detail story behind Chase’s life. The music is timed into those particular moments, showing that fast bass riffs are included to emphasis the fast scene switches, especially with the jumping scenes montage. At times where the music video has a slow scene change, the music has been dubbed down so that we can hear Chase speak. Other times when the music is much lighter and has more of a tempo build up is when the slow changing scenes happen and we can follow the story being told.
There is one main reference to the notion of looking within the music video. This will be the main outlook on Patrick Chase’s way of life. None of the artists are in the video at all, they have decided to relate the entire video on Chase.
There are no Intertextual references as far as I can see, the video seems to all relate in a specific manner.
The Music video is a Narrative based piece. The fact you have Patrick Chase in pretty much every scene living out his everyday life, provides enough proof that the video is based totally around narrative. Like before with the relationship between the lyrics and the video also suggests that it is a narrative piece. The lyrics are the narrative structure and the artist is the narrator.
The Brief Into My Music Video
- It has to be related to the nightlife of teenagers in the way of late night parties and modified street racing cars.
- There will be a focus on a main car but not neccaseraly the driver/drivers.
- Measure in a chase to enhance the meaning of a phone call. (Only if the copyrighted track is used.)
- Will have a party/strobe lighted scene with guys and girls dancing.
- lots of close-ups of the car.
- split scene changes in time with the bass rhythm.
- KEY! Use of a lot of Subwoofers.
Genre Characteristics
- Subjective artist shots
- Fast moving shots when song tempo is high
- Some references to a narrative
- Close up shots
- pan shots
- plenty of shot/reverse/shot
- Lots of close up shots of narrative actors and cars
I aim to capture the up most amount of narrative within my production. This shall be my main focus when capturing the footage. I would also like to capture some close up footage of the cars i plan to use within my music video. Although this is just an idea that I have in my mind, doing some extra audience research into the subject of dupstep videos will help my video project become so much easier.
When it comes to my audience research I shall gather my evidence and answers into voice recordings and post it via a video format.
The results are below.
Research into the Audience
- What do you like about Dubstep?
- How do you want to see the video?
- To the track, what sort of video narrative would you want to see?
- What certain aspects would you like to have in the video?
Obtaining Copyright
My Chosen Artist
The song itself is based around a certain phone call between two men, about money. This one guy has been given money from a massive loan shark and screws the loan shark about. The sense of the tempo to the Dubstep enforce the image of a chase in my eyes. This I am going to recreate into the video I shall be shooting.
Lyrics to TC - Where's My Money
- Hi
Uh yeah
- Yeah?
About the money...
- Money?
Uh, I don't know if I'm coming out to get it over to you
- What do you mean you won't be able to get it? What?
Uh, 'cause it's like
It's in a secondary holding account
- Holding account?
Now we need to get this to another account
- What?
And you know, what with the state of the music industry nowadays
And record sales and all that you know
- Uh you know what?
- Where's my money?
Hello
- Where's my money?
Hello [x2]
Uh, hello
- Hi
Uh yeah
- Yeah?
About the money...
- Money?
Uh, I don't know if I'm coming out to get it over to you
- What do you mean you won't be able to get it? What?
Uh, 'cause it's like
It's in a secondary holding account
- Holding account?
Now we need to get this to another account
- What?
And you know, what with the state of the music industry nowadays
And record sales and all that you know
- Uh you know what?
- Where's my money?
Hello
- Where's my money?
Hello [x2]
Lyrical Evaluation
Music Video Treatment
Ideas/Concepts/Inspiration
I want to base my music video around the whole idea that one person owes another person money, hence the song title Wheres My Money. The whole genre is being dubstep is based around the really heavy bass, sub woofers will be included. The main aspect of the video would have to be a phone call, it is key in the song, the main lyrics in the song is the phone call itself. The fact whether i have a car chase depends on how easily we can film it. The main ideas I would want to focus on for the video is including the phone call and a car chase, a real story line for the song. I'm going to go with a narrative structure.
What will i need ? (props,actors,locations etc)
x
- Actors - anywhere from 3 - 5 people.
- Cars, Phones, Sub woofers
What will the challenges be and how will I overcome them?
Now within this video there are going to be quite a few challenges to overcome. The main one will be the filming of the car chase, the angles in which i will have to shoot it from, the guys who are going to be up for the making of video. Budget is going to be a main concern as well, use age of petrol is not going to be free.
Justification
Locations
Shooting Day(s) Props
Vauxhall Corsa B
Fiat Seicento
two mobile phones
subwoofers
Representation of Actors/Characters
Magazine Promotion Analysis

Promotional Poster

CD Cover Analysis

CD Cover

Here is my CD cover below using the same net layout above as a diagram. The far right picture is the front of the CD cover and the far left being the back of the CD cover. The two centre images are inside the CD cover.

